How to make an art portfolio. Creating characters for games


Are you thinking about how to present your artwork for an art gallery, art institute or potential employer? A well-crafted art portfolio is in a great way present your best creations and demonstrate your own skills. Your portfolio should speak for itself, bringing together your qualities of professionalism, passion and personality, and showcasing your best works. It will create the first impression of you, so it should somehow stand out from the rest of your portfolio. In your portfolio, you must show interested parties what your talent is, how you are different from other applicants, and why they should choose you and not someone else.

Steps

Part 1

Selecting works for a portfolio

    Please review the portfolio requirements. Every organization is different, so they may have different requirements for the content of the portfolio or the format used in it. Also, your portfolio will largely depend on what course of study or what career you decide to choose for yourself.

    Select completed and unfinished works for your portfolio (depending on your specific requirements). Usually for admission to professional educational establishments You are required to provide completed works, but in some cases you may be asked to show unfinished works in order to evaluate the immediate process of preparation and development of works.

    Include works drawn from life in your portfolio. They will confirm your ability to perceive and reflect objects on paper real life. Drawings and paintings from life can be an essential part of your portfolio.

    Highlight your best works. If you've been drawing for long enough, you probably have a wide variety of work, ranging from excellent and good to average and very bad. Sometimes it’s tempting to include in your portfolio not only your best work, but just good work. However, it would be wise to refrain from doing this. You need to show only the best works that accurately and without a doubt reflect the quality, your abilities, skill and creativity.

    Ask a friend to look at your work. Once you've selected your favorite pieces for your portfolio, ask a friend or mentor to look at them and give you their opinion on the pieces you've chosen.

    • Some of your work may require reworking or revision, so make sure you have enough time to perfect your work before you submit your portfolio.
    • After selecting works for your portfolio, wait a while and return to them after rethinking your approach a little. It is very important to give yourself this time, as it will allow you to evaluate your works better and less biased.
    • Sometimes even friends can be biased towards your work, so sometimes it is useful to involve someone from the outside with whom you do not have a close relationship. In addition, it will be easier to accept constructive criticism from such a person.
    • Learn to accept constructive criticism with gratitude: understand that it is not an insult or belittles your dignity, but allows you to improve as an artist.
  1. Include in portfolio Additional information about articles, publications and awards. In some cases this is not required, so again, check the portfolio requirements. However, know that such information is useful in demonstrating that your work is valued and has been presented to the public before.

    Part 2

    Portfolio creation
    1. Use other people's portfolios as examples. The best way To start working on a project like portfolio development, find other people's successful portfolios online and use them as an example for yourself. This doesn't mean you need to copy the format or follow someone else's portfolio exactly. Use other people's portfolios as a guide for creating your own.

      Tailor your portfolio to the organization you are creating it for. Universities or art galleries may have their own own opinion about what they want to see in the portfolio, or how it should be styled. It is very important to start compiling and structuring your portfolio taking into account the audience it is intended for.

    2. Organize your work for your portfolio. Group your pieces by style, theme, materials used, technique, or the like. You need to make your search as easy as possible important information for people who will review your portfolio and determine your professional suitability. The easiest way to achieve this is by properly organizing your portfolio. Your portfolio should tell a story about you.

      • Group your work according to the materials used. It is useful to demonstrate work with a portfolio different materials to show your comprehensive development and ability to work in various artistic directions. It doesn't hurt to group your work with different materials into groups so that your portfolio clearly reflects your varied skills and ability to use different materials in your work. For example, you can combine pastels into one group, then create a group of drawings with simple pencils and charcoal, then combine your works with paints.
      • Group your work by topic. Another way to group is by subject, which will likely include works made using a variety of materials, but will reflect your ability to accurately depict very different things. For example, you can group works by images of people, landscapes, abstract paintings, and so on.
      • Group the work by technique. This grouping is similar to grouping by materials used, but it emphasizes your ability to work not only with paper, but also with digital media, photography, web design, animation, and so on.
      • Use a scrapbooking pad or binder (all of which can be found at a craft store) to bind and display your creations.
    3. Keep it simple. Being an artist, you may want to get creative and make your portfolio very extravagant. While this approach is good for the work itself, the portfolio that contains it should look professional, organized and simple.

      • This is due to the fact that you do not need to overload your portfolio with design and distract the viewer’s attention from the work you have completed. You must ensure that the focus remains on your artwork, because that is what you are trying to showcase.
      • Take a measured approach to compiling your portfolio. Don't include too many works on one page or overdo the amount of descriptive information.
    4. Try to stand out, but without excess. In the extremely competitive field of fine art, it is important that your work stands out. You can't afford to be lumped in with the hundreds of other people who have also submitted their portfolios, so try to create a portfolio that showcases your work in an artful and creative way that won't go unnoticed.

      • However, be careful not to overdo it. If your attempts to stand out from others result in you creating something tasteless or seem like a failed attempt at humorous effect, then you may go unnoticed or be noticed, but in a negative way.
      • The advantage of a portfolio is that it is more than a piece of paper like a resume. Your work truly speaks volumes about who you are and allows the employer to gain better understanding your creativity than from a dry written description of skills.
      • Don't overthink your portfolio. Once you've finished working on it, ask your mentor for feedback on it. Review your portfolio yourself several times to make sure it is well organized and get rid of possible errors, then leave him alone. Constantly trying to fix something to make a portfolio “memorable” can lead to a decrease in its external professionalism.
    5. Create a virtual portfolio. Although it is convenient to have a portfolio of your actual work in hand, having a virtual copy of the portfolio will be useful for sending your portfolio online to interested parties, which is what is required in most cases.

      • Film or scan your work. After selecting works for your portfolio, use a good camera to photograph your works, or ask a professional to do so. Make sure your photos are clear and high quality, allowing you to view your work in good resolution. When taking photographs, use a room with ideal lighting without unnecessary glare and never use a flash. When scanning your work, make sure that the paper is not wrinkled and lies flat in the scanner - this will allow you to get accurate digital copies of your drawings.
      • Bring these images into Indesign or another program that allows you to easily create and edit a portfolio.
      • A virtual portfolio will not only serve as a digital copy of your work to be sent over the Internet, but will also serve as a backup in case your real work is lost or destroyed.

      Part 3

      Preparing to showcase your portfolio
      1. Practice your portfolio presentation. If you have the opportunity to present your portfolio in person, it is important to rehearse your presentation. This way, you'll know exactly what to say about each submission and how to effectively explain what makes your work different and what makes it valuable.

        • After you've practiced your presentation a few times on your own, present to a friend or mentor who can evaluate your presentation and your approach to describing your work.
        • Again, your work should still speak for itself. When presenting a portfolio, you don’t need to go into all the details, explaining every detail - in most cases everything should be clear without unnecessary words. However, you may have works that were inspired by some significant event or something valuable to you. If so, take the opportunity to show the creativity and passion behind such work.
        • Constantly ask yourself, “Is this all really mine?” Your work should reflect you and your passions, so when updating and revising your portfolio, make sure it tells the story you want to convey.
      • The field of fine art is highly competitive, so you will need to go through a lot of exhibitions with your work to achieve recognition and become a leader. Never despair!
      • Don't limit yourself to drawing only in class. Draw with a pencil, paints and create in Everyday life! It's the kind of work that really interests those assessing your portfolio, as it reflects who you are. real interests, passions and creativity that transcend the demands of teachers and the learning environment.
      • When comparing your work to others, remember that your goal is not to make your work look exactly the same, but to continually improve your talent and develop your artistic skills.
      • Don't settle for free creation paintings solely for the sake of being exhibited. Do it for the love of fine art.
      • Try to replenish your portfolio with new works. This will demonstrate the experience gained and the improvement of skills.

EKATERINA BALYASOVA

How to create young artist's portfolio?Where to start?How not to forget about the most important?What questions to answer and how to finish portfolio. Perhaps this question is facing you now. This publication, I hope it will help you in determining. Inspiration is an extremely important element of the state. Works artists, carry a certain uniqueness and recognition. Bright rich colors and unusual characters. Everything that seems interesting and important to a child in the world is reflected in images on canvas or paper. Not all of them will choose this path, not all will receive a specialized education, and not all of them have yet finally decided on their direction. One thing is now clear - they are real, devoted fans of creativity called - Artist. And most importantly remember, artist Anyone can offend. How not to offend and give a certain impetus to move further, forward, higher? Help you believe in yourself! Get acquainted, enjoy, empathize.

Exercise: Portfolio of a young artist

Meet Darina Balyasova, preparatory group Kindergarten No. 29, Priladozhsky village. He loves to draw. Draws in the garden, at home. He studies in the group of the Exemplary Art Studio "Semitsvetik" under the guidance of Konovalova S.V.

Darina is a very inquisitive girl. Her range of interests is very wide. She dances, goes to the Chess club, the Soft Toy club, and loves hiking and traveling to interesting places. But her favorite pastime, which captivates her completely, is drawing. In this portfolio collected drawings on different topics, Darina does fine art at home, in kindergarten and in a circle.

The period during which it was collected portfolio: from September to May.

1. Favorite topic is animals. The characters are meticulously drawn in the drawings.

2. Most of the presented works were carried out on the proposed topics (Themes:1,2,7) Works on a free topic presented (Themes: 4)

3. Reflection of received impressions (Themes: 3,9)

4. Which one art was the material used by the child more than others? GOUACHE (Themes:1,2,3,5,6,7,8,9)

5. Which job gives the most fabulous impression? (Themes:9) MERMAID. The plot of the work is inspired by fairy tales and being at sea.

6. What work did the child spend the most time on? Which one turned out the fastest? (Themes:3-”UMKA”, 9-”DOLPHIN”)

8. Are there any works that can be united by a single theme, a cycle, for example, compiled into a book, supplemented with a story? (Themes:7,9)

10. Which works does the child accompany with a comment ( Themes:1-“CARING MOTHER”-cycle about pets,3-ZOO, CIRCUS)

11. What works were purposefully created by the child for someone (for mother, for a friend, for little brother, etc.) (Themes:5)

12. Works created after listening to a book, poem, story or watching a cartoon. ( Subject:3-“UMKA”, 4-FAIRY-TALE FANTASY”ALICE THROUGH THE LOOKING GLASS”,6-THE TALE ABOUT THE DEAD QUEEN AND THE SEVEN BOGATYRS,9-THE LITTLE MERMAID)

1. The topic of the lesson is “Pets”

“KITK”

Drawing completed: gouache, bristle brush.

CAT WITH KITTENS, gouache “CARING MOTHER” – that’s what Darina called her work.


Continuing the theme, drawings made at home. "DOG"

colored pencils, gouache

“HORSE”



The drawings are made in gouache. The first drawing was made at the beginning of the year, the second drawing at the end of the school year. The drawings clearly show the growth of the author's skill. The execution technique becomes neater, the lines become clearer. The composition is respected.

2. The topic of the lesson is “Wild Animals”

“TIGER CUB”


“FOX CHILD”

The drawings are made with wax crayons.

3. The following works were created under the impression of what they saw after visiting the Zoo.

Collage of scraps of colored paper and magazine.

“UMKA” based on the cartoon of the same name.


Darina's most labor-intensive job. The work was carried out over 4 lessons. TASKS:1. Ability to carry out work as planned. 2. Mentally imagine the content. 3. Development of spatial imagination and compositional skills.

"HOORAY! WE'RE GOING TO THE ZOO!” These paintings convey such a joyful mood. All drawings are bright and colorful. The author chooses very realistic colors.

“TODAY IN THE CIRCUS ARENA...” The work was created after watching a circus performance.


The child most often uses gouache in his works. This art the material was selected by sampling. In her works Darina used different kinds:

Watercolor paints, charcoal, pastel, silver pen

colors, colored pencils. But it is gouache, which dries quickly, easily lays on paper, very rich colors - with one stroke (Darina’s comments to the question “Why did you choose gouache again) has become a favorite view from artistic materials in her creative works.

4. Darina tried and applied various techniques in her works: HATCHING. Prepares the hand very well for writing. “CREATIVE FANTASY” is the general name given to the following works.

"CHESHIRE CAT "

"FAIRY MUSHROOM"



6. “THE QUEEN” According to the fairy tale “About the dead princess and the seven heroes” The image of the heroine. The work was completed after reading the fairy tale.

The work turned out to be very bright, rich, and interesting. Ruddy, green-eyed, black-browed with a long brown braid. In a bright red sundress, in a kokoshnik. What a beauty it turned out to be! Darina drew the image of the beautiful princess to the smallest detail.

Darina created her own expressive image, which is distinguished by its originality. And done on my own.

7. Theme “SEASONS” The beauty and richness of our native nature. Tasks: To develop visual observation, the ability to notice the unusual in the world around us and the desire to reflect what we see in our creativity.

SUMMER gouache


ZIMUSHKA-WINTER candle, watercolor


SPRING IS RED gouache


AUTUMN GOLDEN pastel


“AUTUMN” coal, sanguine


Using a variety of materials = variety technical solution images!

8. Theme “FLOWERS”

Task: Development of color perception, the ability to select appropriate color combinations for your composition, the use of non-traditional drawing techniques.

WET PAPER, GOUACHE, WAX CRAYONS, PASTEL

The use of wet paper as a base aroused Darina’s admiration and surprise.

9. Theme “WATER ELEMENT” Observations, imagination. A series of paintings was created after a trip to the sea.

"MERMAID"


"DOLPHIN"


It took Darina 30 minutes to complete this work. Inspired and amazed by what he saw (The dolphins swam very close to the boat) she immediately sketched out a drawing. I chose my favorite gouache as a drawing material.

CONCLUSION:

We can confidently say that a variety of techniques contributes to the expressiveness of images in children's works. Darina boldly takes on art materials, she is not afraid of diversity and the prospect of independent choice. She takes great pleasure in the process of doing it. She is ready to repeat this or that action many times. And the better the movement turns out, the more pleasure she repeats it, as if demonstrating her success, and they rejoice, attracting the adult’s attention to her achievements. Drawing helps you understand the world around you. With the help of drawings, Darina expresses her experiences and impressions.

Classes visual activities awaken emotional responsiveness, instill in children a sense of beauty, form hard work, develop perception, thinking, attention, memory, imagination, curiosity.

I will be very glad if this material is useful to someone!

Recently there was a discussion on Twitter between several seniors and top artists about what can and cannot be added to a character artist's portfolio. As a hiring manager in my department, in this article I express my own opinion and share it with others. This article also assumes that you are familiar with the basics of game art terminology.

Basics: Breakdown shots for your character.

Typically, for a character in game art, this item includes the following:

— A presentation shot that shows a character from different angles, usually in perspective or from the side. If it is important to show the character’s character, then the most suitable pose is selected for this. But, thanks to professional experience, I can say that in this case you will need to have a large number of pose options, so it is optimal to immediately put the character in a T-pose.

— A breakdown shot of the character model shows his “framework” and some already applied textures. It is important for us to see how well you understand the topology of the game asset. Again, through professionalism, we know that this additional breakdown is not always possible due to non-disclosure agreements, but for personal work it is required.

— A shot of a high-poly asset. It shows the detail of your asset.

— Additional shots (beautiful dynamic shots, close-up etc.) However, you can show the main thing with three main shots.




Navigation: Keep your site simple!

Beautiful, sophisticated websites with animation and loading screens are not at all necessary. I'm interested in the quality of your work, not an impressive website. The same goes for navigation: I just want to click on the gallery and have direct access to your work. The services that best cope with this task are Artstation and Behance.


Exclusively Zbrush: Well... you're halfway there, apparently.

When hiring, I encounter this biggest problem.
To be honest, I don't really care what's on your resume. If I only see sculptures in your portfolio, I will immediately assume that you are only familiar with half the workflow. You may be great at texturing, retopology, etc., but in the past I've hired people with the same situation (amazing resume, but only sculpts in the portfolio) and they were rarely able to perform well in other stages. Different companies have different requirements for their employees. There may be a few that hire artists just for sculpting.

In our team, we want artists to be able to create a character, from sketching in a notebook to a finished asset. We do not have separate texture artists, hair artists or sculptors. Everyone is responsible for the entire character.

But it's not just about how well you can texture or create a finished character. It's about how well you understand the details of the job and the tools. Some artists have worked in the PlayStation 2 era, but they must be able to use and understand current relevant technology. There will always be an artist with less experience than you. And if he impresses me with his portfolio more than you do, he will have a higher chance of getting an interview.

Marmoset Viewer and Sketchfab: Awesome way to show your work, but...

Now I don't mind the above at all. In fact, I think you can do cool things with these programs. But keep in mind that I am a hiring manager and I am always busy with my work, meetings and feedback. Therefore, when looking at an applicant’s portfolio, I should immediately see the results.

So the images allow me to quickly assess the quality of the work. And the above software needs to be downloaded, it is not always downloaded, it may not be adapted for mobile platforms, etc. Now imagine that I look at 20 different portfolios. It will take a long time to load Marmoset Viewer.

I will note that I have no objection to this in your portfolio, but prioritize images. Ideally, place the most important things at the top of the page, and place videos and models for viewing at the bottom.

Originality: still the same old...

If you're going to make Batman, give him custom parts.
If you're going to make Soldier #102, think about how to make him unusual.

Just because you want to get a job at Netherrealm or Infinity Ward doesn't mean you have to copy what they do. Because you risk getting lost in a bunch of identical art. At the same time, there will definitely be someone better than you, all other things being equal.
Creating extraordinary works, even if not best quality, you increase your chances of being noticed.

Focusing on style: Variety = Flexibility.

This is my point of view, but some hiring managers disagree. However, I don't want to see people just making World War 2 soldiers or just making pretty Spartans. Diversity means flexibility in work.

Just because you want to work for Blizzard and can hand-draw the best World of Warcraft art doesn't mean you can work for that company when WoW (God forgive me) is gone forever and you have to draw art for them future realistic shooters (though I doubt Overwatch 2 will take a sharp turn in that direction).

A little fantasy, a little sci-fi, a little realism, characters of both genders, maybe a couple of works with fictional creatures, and you have a portfolio that shows that you are ready for any situation. You can create art of different directions and varying complexity. All of them make your portfolio interesting.

I hope this article helps people with their characters and portfolios and that I work with some of you in the future :D.

______________________________________________________________________________________________________________________________________
Translation.

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A high-quality portfolio is a freelancer’s main tool when searching for orders. We’ll tell you in this article where and how to quickly make a website with an online portfolio.

Portfolio creation services

Behance.net

One of the largest portfolio sites on the Internet. Photographers, designers, illustrators, artists, game developers, motion designers and video makers post their work here. Here you can post both your personal projects and teamwork, indicating all participants in the workflow.

The quality bar on the site is high, so in order to be noticed and receive feedback, carefully select the works you publish. It is not necessary to post only the final finished product; on the contrary, show the stages of work, add drafts and sketches.

Accommodation is free.

Clippings.me

Website for creating a copywriter portfolio. Works are downloaded from a PDF document (after downloading, it is better to proofread it again in case of a text recognition error) or from a website where the article has already been published.

It is possible to edit the card, add necessary information and change the illustration.


Portfolios.ru

Russian-language site for posting the portfolio of a designer, artist, photographer. On free account you can upload a logo, background image and up to 15 files in several albums by topic.

Suitable for quick creation temporary portfolio, but looks unprofessional.


Dribbble.com

Another major site for the portfolio of artists, designers and illustrators. The interface is similar to Behance, but here you do not create projects, but upload shots - small images of 400x300 pixels.

After registration, you will have the opportunity to comment and like other people’s works, but in order to upload your own, you need to receive an invite from one of the project participants.


pressfolios.com

A website for the portfolio of a copywriter, journalist, writer, reporter, blogger, PR manager and representatives of other professions in the media.

You can post your work by uploading pdf files or links to external sites where they were published. The contents of the cards are changed manually. You can also put a cover at the top of the page and short description your activities. Below is a photograph, biography, interesting and important facts about professional activity, links to social networks.

The free trial period on the site is 14 days, then you will need to choose the Lite ($10 per month) or Pro ($15 per month) tariff.


Contently.com

Large-scale English-language platform about content and content marketing. Post a portfolio and find a job on English language Editors, copywriters and bloggers can work here.

In the header, briefly describe your activities, add links to social networks and personal blog. Cards are formed from links to external sites where your texts were published.


Deviantart.com

On a free account you can upload up to 100 images; on a paid account ($5 per month) you will receive a personal domain and an unlimited number of uploaded images.


Pinterest.com

Represents a directory visual bookmarks. Your page here consists of various topic boards on which images and links to other sites are attached.

Using the site is completely free. In addition, a browser extension is available that helps you attach any image or link to the desired board in two clicks. For example, on the “My Articles” or “My Photos” board you can collect works published on various sites and in in social networks, and a link to the board can be quickly sent to your potential customer.


Revision.ru

Website for creating a portfolio of a designer and illustrator. You can publish fonts, illustrations, animations, all types of designs. Just like on Behance, you can post or just finished work, or show all stages of work.


Coroflot.com

On the About page, tell us about yourself as a professional, about your education and work experience, and also add links to social networks.


Nerve.ru

Portfolio site for an artist, designer or photographer. Here you can post several series of works, and in Contacts tell about yourself and professional achievements, leave any links and contacts.

At the time of buying paid account the number of series and works is not limited.


Illustrators.ru

Large Russian community of artists and illustrators. Here you can quickly create a portfolio to show to customers. There are 60 jobs available on the amateur account and responses to 5 vacancies per month.

At high quality works and active social life on the website, your account can be transferred to “Master” status, which will allow you to upload up to 250 works and respond to vacancies 15 times a month. All restrictions will be removed by purchasing a Premium account.


Website creation platforms

Portfolio.adobe.com

The service is actually a continuation of Behance.net and part Creative Cloud. When creating a website, projects will be moved automatically, and you can publish your work in a portfolio directly from Adobe package programs. There are many customizable templates, you can connect your domain name.

Cost: Free with a Creative Cloud subscription. Paid subscription costs from $10 per month.


Google Site

A website builder from Google that allows you to easily integrate other Google products into your website and create a simple portfolio.

Pros: customizable templates, intuitive clear interface, no advertising.

Cost: free, the site will have the name sites.google.com/site_name, restrictions on font settings and the amount of information up to 100 MB (one file no more than 20 MB).


Tilda.cc

One of the most popular and convenient website builders. A large number of modern stylish templates, it is possible to attach a payment system directly to the site. The block editing mechanism will help you quickly and easily create a unique design. There is a built-in image editor.

Cost: free to quickly create a portfolio website with limited functionality. A personal website with a personal domain costs 500 rubles per month.

The Business tariff is suitable if you run several websites at once, the cost is 1000 rubles per month.


Portfoliobox.net/ru

The resource was created specifically to make your website quick and easy. A large number of templates that can be customized and combined with each other. A complete set of tools for design, e-sales and marketing.

Cost: free with restrictions, paid (from $7 per month) provides full functionality: integration with Google Analytics, personal domain, unlimited hosting, numerous add-ons.


Squarespace.com

The resource provides a huge number tools for creating a website, portfolio, online store, logo development and email marketing, as well as the ability to create mailbox on your domain (for example, [email protected]).

Cost: available for 14 days free use, then you need to choose the Personal ($12 per month) or Business ($18 per month) tariff.


Readymag.com

An unusual resource where you can create a website, portfolio, your own interactive magazine or presentation. A large number of tools for creating a professional portfolio.

You can embed the projects posted here on other sites and blogs using embed code.

Cost: yes free plan with restrictions and three different paid tariff, from which you can choose the one you need based on your goals.


And if you are new to freelancing, learn how to create a portfolio for yourself.

Often, an interior designer is faced with the task of finding a performer - a professional artist - who will skillfully complete those decorative elements included in his design project. This could be: decorative painting for the interior, or decorative inserts, art (curtains, drapes), wall painting, interior graphics and much more.

On the other hand, interior decoration may involve the inclusion of unique paintings by contemporary artists, or icons painted by a professional icon painter.

Our website presents portfolios of experienced specialists in the field of interior painting, professional artists, graphic artists and icon painters, with whom you can contact directly and discuss issues of cooperation. Each of our authors lives by art and is a recognized master in his field.

Irina Agalakova- artist, graphic artist, member of the Union of Artists of Russia since 1991. Experienced specialist in such areas as monumental batik (curtains, panels), decorative painting for interiors, artistic painting on fabric and wood.

Vyacheslav Agalakov- freelance artist, painter, woodworker. Works in various genres and areas of painting.

Svetlana Medvedeva- professional icon painter, painter, graphic artist, member of the Union of Artists of Russia since 1990.

For all questions (collaboration, creation of joint projects, ordering and organizing personal exhibitions) you can contact us by phone or write by email:

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