Panasonic g6 technical specifications. System camera Panasonic Lumix DMC-G6H Kit Black
Switching from the display to the viewfinder is possible in two ways - automatically, using a sensor that reacts when a face approaches the viewfinder; using the dedicated Fn5 button, which is responsible for manual switching. The OLED viewfinder matrix consists of 1.44 million dots and feels noticeably inferior to higher resolution matrices. The viewfinder in the Sony NEX-6, for example, produces a much more realistic picture. The Lumix G6 lacks color reproduction and contrast.
You can set the focus point across the entire field of the screen or viewfinder. However, when using the viewfinder, you cannot select the focus point using the touch panel. Firstly, the display turns off completely, and secondly, it would be simply inconvenient. In the camera settings, you can only allow the joystick to be used for these purposes. In this case, additional functions of the joystick buttons are blocked. The same thing, by the way, is offered by SLR cameras.
The display and viewfinder are extremely informative, and the information does not clutter the work area and does not distract from the process of sighting the shooting.
The menu is made in yellow and gray colors, however, the background color can be customized at your discretion. There are a lot of camera settings - there are 35 options for the photography mode alone. In this indicator, the Lumix G6 is practically not inferior to entry-level DSLRs. The younger Panasonic Lumix GF6 has fewer available settings.
The menu is organized conveniently, most of the settings are immediately clear even in Russified form. All settings are divided into 5 sections - photo recording settings, video recording settings, user settings, general camera settings and playback settings. In addition to a set of five programmable keys, there are also two virtual buttons displayed on the screen. One of them displays the electronic horizon by default, and the other is responsible for locking autofocus and autoexposure.
Functionality
Panasonic Lumix G6 adopted the sensor from its predecessor without changes. The 16-megapixel Micro Four Thirds CMOS sensor still has a lower limit of sensitivity adjustment at ISO 160. The upper limit has been increased by one step and is now 25,600 units.
There is no need to expect changes in image quality, and the upper ISO limit is in any case of little use for shooting. The lower limit of ISO 160, which has remained unchanged, is puzzling. When using high-aperture optics in bright sunlight, even with a minimum shutter speed of 1/4000 s, the problem of overexposure will be quite acute.
The main innovation of the camera is the latest generation Venus Engine FHD processor with an improved noise reduction system. The chip is also more energy efficient and allows for a continuous shooting rate of 7 frames per second - versus 6 for the Lumix G5. This frequency is achieved with autofocus fixed on the first frame.
The focusing method remains unchanged for Panasonic cameras and is based on contrast discrimination. Objectively, there is no urgent need to change anything. Focusing is brilliant even in low light conditions. According to the manufacturer, focusing is possible in illumination down to -3 EV. Competitors may envy such focusing speed. The Panasonic Lumix G5 coped with the task of focusing at least 0 EV. The new focusing system includes 1,728 metering points. This is an absolute record. The system even got its own name - Low Light AF. However, in reality, for confident focusing it is better to use the built-in backlight.
Focusing with increased accuracy is also available. This mode is most relevant for macro photography and allows you to set the focus point, for example, on a separate flower petal. There is also a focus peaking function, but its implementation is far from ideal. Focus areas are illuminated with flickering dots that are barely visible in bright daylight. The implementation of this function in Sony NEX cameras is much better.
The camera turns on in a second, no more. After turning on the display, the device is immediately ready to take the first shot, both when using the screen and the viewfinder. It takes approximately 2 seconds for the camera to turn off.
2 years ago
It is very convenient to operate in M “video” mode, which is why I bought it. With good optics, the picture is wonderful, detailed and with a decent dynamic range. Autofocus is almost error-free.
2 years ago
High quality photos and even better videos. Lightweight and comfortable.
2 years ago
Rotating screen, viewfinder, dimensions, weight. Input for an external microphone (although the built-in one works fine in most situations). Works with non-original batteries.
2 years ago
Accurate exposure metering, rotating screen, small size of the device
2 years ago
Fast, lightweight, relatively compact, Wi-Fi available, easy to set up and manage.
2 years ago
Read everything in the reviews about body
2 years ago
Lightweight, tablet control, video quality!! Plus, you can experiment with any lens using adapters. Picking is very convenient on the manual.
2 years ago
lightweight, convenient, high-quality build, non-point-and-shoot form factor, amazing video with tracking autofocus, gorgeous rotating display, hot shoe for flash and tripod mount, super viewfinder, easy to use and intuitive interface, good jpeg shots, gorgeous pictures RAW. Excellent autofocus, it’s a pity not a hybrid one, but this would have a negative impact on its speed) High continuous shooting speed. Assignable control buttons. Popular bayonet mount - optics from Olympus fit perfectly. Good noise reduction when recording sound while shooting video. Improved Live MOS sensor and fast Venus Engine image processor with new filtering algorithm.
2 years ago
Original optics are very expensive; replacing a dead battery with a screwed-on tripod socket is inconvenient.
2 years ago
During shooting, the video output to the external monitor does not work, because... The camera is used for aerial photography, wifi cannot be used, although the output is needed to transmit the image.
2 years ago
Poor (traditional) location of the tripod socket - not every platform will allow you to change a dead battery. No video output during recording.
2 years ago
The body feels like a plastic toy
2 years ago
Haven't discovered it yet.
2 years ago
The multifunction wheel is very tight. To turn it you have to hold the camera with your other hand. But it is so tight that sometimes you overestimate your strength and miss a couple of “clicks”. KITOVSKY plastic lens. Not sure if the lenses are glass. Most likely high quality acrylic. My kit did not have a zoom servo in the lens. You need to “zoom in” using the handles. But since the lens is made of plastic (maybe high quality and durable), it is not possible to do this smoothly. There is no loudness compensation here, as on normal lenses. I don’t know what the “zoom” seals are made of, but in order to move it by rotating the ring, you have to make a significant effort. Before the zoom area moves, there is an initial jerk. Maybe over time and once
2 years ago
The kit lens 14042 is a little noisy in the photo, not waterproof and dustproof. Price for original lenses.
2 years ago
terrible whale flash, expensive replacement optics, a “proprietary” cable for connecting to a computer - I would like a mini or micro USB. The inability to charge from USB is unpleasant when the camera turns off halfway through a video downloaded to the computer) The matrix starts to make noise at 800 ISO, the battery is weak (it lasts me for half a day of “pampering”), I need to take a spare one. The incomprehensibly high minimum sensitivity is 160 ISO (my former ancient dinosaur Canon S3 IS was even capable of 80 ISO). The absence of an image stabilizer in the matrix, like in the same Olympus, which increases the cost of replacement optics. I would ideally like a 1.5 crop factor of the matrix. Weak aperture of the kit lens (I have POWER I.O.S. 3.5-5.6 with an electronic zoom drive). Inconvenient lens cap without lanyard - easy to lose. Which was done a week later and
The DMC-G6 integrates 16.05-megapixel Digital Live MOS Sensor with Venus Engine that features advanced noise reduction systems. Noise is removed in multiple steps according to the noise characteristics, realizing both smoothness and sharpness according to the part of the image. In addition, the limit resolution is enhanced thanks to precise detail reproduction and advanced Intelligent D-Range Control that ensures beautiful gradation with a wider dynamic range.
Low Light AF
The Low Light AF in DMC-G6 gains higher
performance in such as moonlight even
without AF assist lamp to set focus on the
subject more precisely. Combined with the
Full-area Touch AF, it is possible to set
focus on any point in the field of view
which realizes intuitive focusing operation
with free frame composition.
· Depending on the picture-taking conditions,
this function may not work.
Light Speed AF
and Burst Shooting
The DMC-G6 features high-speed Light Speed AF, making it possible to capture even the fast-moving
subject clearly. Not only the accuracy but also the speed of AF in DMC-G6 surpasses the high-end
DSLRs with Phase difference. The camera and the lens exchange the digital signal at max. 240 fps to
minimize the time to focus. The DMC-G6 realizes the high speed burst shooting at 7 fps in
16.05-megapixel full resolution and max. 40 fps using an electronic shutter. Also, AF Tracking enables
consecutive shooting to capture moving subject in sharp focus at 5 fps*.
* In 1-area-focusing AF mode
The large, bright 1,440K-dot OLED (Organic Light-Emitting Diode) LVF (Live View Finder) with approx. 100% field of view in 4:3 aspect boasts excellent color reproduction and astonishingly high contrast at 10,000:1 for outstanding viewability. The display time lag is minimized dramatically compared with the predecessor DMC-G5. The image output between the LVF and the rear monitor is switched automatically with the eye sensor on the LVF, which features options of sensitivity - high, low and off - to reduce false operation during touching on the rear monitor.
1920 x 1080p Full-HD
Video Recording
in AVCHD and MP4
The DMC-G6 records stunningly smooth, high-resolution full-HD 1,920 x 1,080 60p* videos in AVCHD Progressive (MPEG-4 / H.264) format. The DMC-G6 also supports 1080 / 24p native mode with 24 Mbps in AVCHD format bringing impressive afterimage to the footage. The full-HD 1,920 x 1,080 60p* video can also be recorded in MP4 at 28 Mbps, to play it back directly on the PC or other portable electronic devices without a need of conversion.
*50p for PAL areas
Switching from the display to the viewfinder is possible in two ways - automatically, using a sensor that reacts when a face approaches the viewfinder; using the dedicated Fn5 button, which is responsible for manual switching. The OLED viewfinder matrix consists of 1.44 million dots and feels noticeably inferior to higher resolution matrices. The viewfinder in the Sony NEX-6, for example, produces a much more realistic picture. The Lumix G6 lacks color reproduction and contrast.
You can set the focus point across the entire field of the screen or viewfinder. However, when using the viewfinder, you cannot select the focus point using the touch panel. Firstly, the display turns off completely, and secondly, it would be simply inconvenient. In the camera settings, you can only allow the joystick to be used for these purposes. In this case, additional functions of the joystick buttons are blocked. The same thing, by the way, is offered by SLR cameras.
The display and viewfinder are extremely informative, and the information does not clutter the work area and does not distract from the process of sighting the shooting.
The menu is made in yellow and gray colors, however, the background color can be customized at your discretion. There are a lot of camera settings - there are 35 options for the photography mode alone. In this indicator, the Lumix G6 is practically not inferior to entry-level DSLRs. The younger Panasonic Lumix GF6 has fewer available settings.
The menu is organized conveniently, most of the settings are immediately clear even in Russified form. All settings are divided into 5 sections - photo recording settings, video recording settings, user settings, general camera settings and playback settings. In addition to a set of five programmable keys, there are also two virtual buttons displayed on the screen. One of them displays the electronic horizon by default, and the other is responsible for locking autofocus and autoexposure.
Functionality
Panasonic Lumix G6 adopted the sensor from its predecessor without changes. The 16-megapixel Micro Four Thirds CMOS sensor still has a lower limit of sensitivity adjustment at ISO 160. The upper limit has been increased by one step and is now 25,600 units.
There is no need to expect changes in image quality, and the upper ISO limit is in any case of little use for shooting. The lower limit of ISO 160, which has remained unchanged, is puzzling. When using high-aperture optics in bright sunlight, even with a minimum shutter speed of 1/4000 s, the problem of overexposure will be quite acute.
The main innovation of the camera is the latest generation Venus Engine FHD processor with an improved noise reduction system. The chip is also more energy efficient and allows for a continuous shooting rate of 7 frames per second - versus 6 for the Lumix G5. This frequency is achieved with autofocus fixed on the first frame.
The focusing method remains unchanged for Panasonic cameras and is based on contrast discrimination. Objectively, there is no urgent need to change anything. Focusing is brilliant even in low light conditions. According to the manufacturer, focusing is possible in illumination down to -3 EV. Competitors may envy such focusing speed. The Panasonic Lumix G5 coped with the task of focusing at least 0 EV. The new focusing system includes 1,728 metering points. This is an absolute record. The system even got its own name - Low Light AF. However, in reality, for confident focusing it is better to use the built-in backlight.
Focusing with increased accuracy is also available. This mode is most relevant for macro photography and allows you to set the focus point, for example, on a separate flower petal. There is also a focus peaking function, but its implementation is far from ideal. Focus areas are illuminated with flickering dots that are barely visible in bright daylight. The implementation of this function in Sony NEX cameras is much better.
The camera turns on in a second, no more. After turning on the display, the device is immediately ready to take the first shot, both when using the screen and the viewfinder. It takes approximately 2 seconds for the camera to turn off.
The LUMIX G6 is the next generation of digital mirrorless cameras with incredible portability for even higher-quality photos and videos.
April 24, 2013: Panasonic is proud to announce the release of the new DMC-G6 digital mirrorless camera, which allows you to create high-quality photos and videos. The digital Live MOS sensor provides high-resolution image recording at high sensitivity. The new Venus Engine processor has an advanced noise reduction system and is capable of high-performance signal processing. Combined with the sensor's high performance, it minimizes noise and even allows shooting at a maximum of ISO 25600 (expanded).
DMC-G6 boasts fast response and high continuous shooting speed up to 7 frames per second at full resolution. The camera is ready to shoot in just 0.5 seconds. after launch, that is, with it you will not miss the opportunity to capture fleeting scenes. Especially considering the high speed and accuracy of Light Speed AF. The new AF illuminator ensures precise focusing on the subject, even in low-light conditions.
The DMC-G6 also offers high-quality Full HD video recording at 1920x1080, 60p (60Hz) / 50p (50Hz); AVCHD Progressive and MP4 format with stereo sound. Autofocus tracking is also available during video shooting. Cinematic 24 fps video recording at 24 Mbps bitrate produces exceptional images. During video shooting, exposure control is available in P / A / S / M modes.
WITH technology Wi-Fi and NFC (Near Field Communication) allow users to connect the camera to a smartphone or tablet anywhere with one touch. This makes transferring images as easy as possible. You can also use a compatible mobile device to release the shutter remotely. With the Instant Transfer function, photos are automatically sent to your smartphone/tablet immediately after shooting. On the other hand, both photos and videos can be archived on registered digital equipment such as a PC via wireless access points (router) at home.
The DMC-G6 is not only an interchangeable lens camera, but also an advanced digital photography instrument packed with attractive features to achieve even more attractive results within the camera. It includes Features: Creative Panorama, Time Lapse, Stop Motion Animation and Clear Retouch in addition to popular creative modes. There are a total of 19 exciting artistic effects. Stop Motion Animation allows you to produce unique stop-motion videos, and with Clear Retouch, you can remove unwanted parts of the image after shooting. Both operations are easily carried out in the chamber.
New, bright OLED (Organic Light-Emitting Diode) viewfinder LV (Live View Finder) with a resolution of 1440 thousand dots boasts excellent color reproduction and high contrast. The advanced large 3-inch tilt-and-tilt monitor with touch technology can fold inward.
It is known that the DMC-G6 camera will come in 3 stylish colors: black, white and silver. It offers you the ability to create high-quality photos and videos that are easy to share.
(module Yandex direct (7))
16.05MP Live MOS digital sensor and new Venus Engine image processor
The DMC-G6 combines a 16.05-megapixel sensor Live MOS, which boasts high resolution and high sensitivity image recording with minimal noise. Panasonic has updated existing technologies exclusively for the digital Live MOS sensor to minimize noise and maximize benefits. Photodiodes have a high aperture ratio, which results in high resolution and excellent signal-to-noise ratio.
Also recently developed CPU Venus Engine is designed to demonstrate its advanced noise reduction capabilities. Increased control over noise levels in specific areas, making it possible to remove large blocks of noise that were technically difficult to detect. This helps produce clear, smooth images, which is especially useful for night landscapes. In addition, Multi-process NR (Noise Reduction) works in two separate stages, allowing for even more careful control of noise. Regardless of the size of the noise, image texture is improved and results in the reproduction of smooth human skin even when recording at high sensitivity.
Every part of the image, from dark to bright, is accurately reproduced, with shadow suppression suppressed thanks to the advanced Intelligent D-range Control. Thus, the DMC-G6 offers a wider dynamic range.
The digital Live MOS sensor and Venus Engine work together to achieve ISO 3200 (Auto) and a maximum of ISO 25600 (expanded). Low Light AF in the DMC-G6 demonstrates better performance in shooting conditions such as moonlight even without an AF assist lamp to accurately focus on the subject.
Fast response speed with Advanced AF for fleeting photos
For all LUMIX G cameras, the manufacturer has provided contrast autofocus as a focusing system. Compared with phase difference AF, it is more accurate, especially when shooting with a bright lens at a small aperture (F).
The DMC-G6 features a high-speed Light Speed AF system that allows you to capture even fast-moving subjects clearly. This system camera surpasses high-end DSLRs with phase detection autofocus not only in accuracy but also in speed.
The camera and lens exchange digital signals at a maximum speed of 240 frames per second to minimize focusing time. The DMC-G6 boasts a high continuous shooting speed of 7 fps at full 16.05 megapixel resolution and max. 40fps when using electronic shutter. In addition, autofocus tracking allows you to shoot sequentially and keep a moving subject in focus while shooting at 5 frames per second.
Thanks to Full-area Touch AF, you can set focus to any point in the field of view. That is, quickly and intuitively focus and compose the shot via the touch screen. In addition, the newly introduced Touch AE (Auto Exposure) feature allows you to adjust focus and exposure with one touch of the subject on the monitor. For additional control over focusing, the DMC-G6 includes Focus Peaking.
DMC-G6 includes high response speed. It is ready to shoot in about 0.5 seconds. after launch. The DMC-G6 has conveniently located controls. The function lever allows you to directly adjust the selected functions - zoom, exposure or aperture.
The camera's compatibility with high-speed UHS-I, SDXC / SDHC memory cards allows for faster data recording even when shooting in RAW file format.
Excellent video recording performance inherited from the flagship LUMIX G series
All LUMIX G cameras, especially the DMC-GH3, are renowned for their outstanding capabilities in high-quality video recording. The DMC-G6 records stunningly smooth, high-definition Full-HD video at 1920 x 1080 60p (60 Hz) / 50p (50 Hz) in AVCHD Progressive (MPEG-4 / H.264).
The camera also supports 1080/24p in native mode with 24Mbps in AVCHD format, resulting in brilliant afterimages. In addition, P/A/S/M modes allow you to enjoy expressive professional video recording.
Full-HD 1920 x 1080 60p (60 Hz) / 50p (50 Hz) video can be recorded in MP4 format at 28 Mbps for playback directly on a PC or other portable electronic devices without the need for file conversion.
In addition to continuous autofocus, touch autofocus is available during video shooting. You simply point at an object and the focus shifts to it. Tracking autofocus keeps your focus on even a moving subject.
High quality sound with Dolby Digital can be recorded. And to block out most of the noise from background wind, a wind noise reduction function is available. In addition to the built-in stereo microphone, the DMC-G6 is equipped with a 3.5mm jack for connecting an external microphone.
An optional Extra Tele Conversion feature extends the zoom range (max. 4.8x) without sacrificing image quality at lower resolutions.
Using Time Lapse Shot automatically starts taking photos at a specified time interval according to the number of shots you set. The Stop Motion Animation function stops the motion of an animation (freeze frame), allowing you to create a video with an effect that makes it seem as if the object is moving on its own.
Easy wireless connection to smartphones via Wi-Fi/NFC
The DMC-G6 camera combines Wi-Fi Connectivity (IEEE 802.11 B/G/N) with NFC (Near Field Communication) technology. This gives you more flexibility for instant image sharing and easy management. Flexible shooting, viewing and sharing of images is made possible with the DMC-G6 and the dedicated Panasonic Image App for IOS/Android smartphones/tablets.
Users can connect the camera to a smartphone/tablet by simply holding them together. The innovation is that the connection is very simple and is carried out within a few seconds, skipping the procedure of entering authorization information.
Remote photo and video shooting can be done using a smartphone/tablet to release the shutter remotely. In addition, zoom, focus, shutter speed, aperture and exposure compensation are also adjustable using a smartphone/tablet.
Instant data transfer function (Instant Transfer) allows the camera to automatically send files to a specified electronic device when the shutter is released. In playback mode, users can tap the image in the camera to transfer it directly to their smartphone/tablet on the spot. In addition, it is possible to add location information to the image using the GPS (Global Positioning System) log of the smartphone/tablet.
It became even easier archive
Images. DMC-G6 transfers data to a computer or other compatible electronic devices automatically via a wireless access point (router) in the home. In addition, with Panasonic's exclusive Lumix CLUB cloud service, the DMC-GF6 can automatically sync images over the Internet, such as Facebook, Flickr, Picasa, Twitter and YouTube.
Wi-Fi Direct function allows you to playback images on DLNA (Digital Living Network Alliance)-compatible VIERA HD TVs.
New OLED viewfinder with 1440k dots
The large, bright OLED (Organic Light-Emitting Diode) LVF (Live View Finder) viewfinder has a resolution of 1440 thousand dots. It boasts 100% frame coverage in a 4:3 aspect ratio, excellent color reproduction and an amazingly high contrast ratio of 10,000:1. The display time delay is dramatically minimized compared to its predecessor DMC-G5. The image output between the LVF and the rear monitor is switched automatically thanks to the eye sensor on the LVF. Its sensitivity can be selected from high, low and off to reduce false alarms when touching the rear monitor.
3" rotatable touch monitor
The new large 3-inch 1036K-dot high-resolution monitor swivels 180° sideways and tilts 270° up/down for 100% field-of-view coverage. It effectively suppresses the reflection of external light. With a 13% increase in resolution, color reproduction is also improved by approximately 20%, so the DMC-G6 monitor offers greater visibility than ever before. In addition, engineers have achieved a wide viewing angle with this screen, and it now saves energy by 25%.
The free angle of the monitor and the touch screen allow for comfortable viewing in any physical position. The touch screen is useful not only for shooting, but also for playing back images with excellent visibility. The Touch Pad allows you to use both the viewfinder and screen simultaneously for greater control and more intuitive shooting.
Creative Control / Creative Panorama functions
The popular Creative Control mode has been modernized. Now the number of filters included in it has been increased from 14 (for DMC-G5) to 19 (for DMC-G6). New filters include: Old Days, Sunshine, Bleach Bypass, Toy Pop, Fantasy. The following have become familiar: expressive, retro, high key, sepia, high dynamism, soft focus, dynamic monochrome, impressive artistic, color spot, cross process, low key, toy effect, Star filter and miniature effect. The parameters for each effect are also adjusted.
With the new Creative Panorama function, you can take horizontal/vertical panoramic images and then combine them into one photo by overlaying the previous image.
Clear Retouch function
The Clear Retouch feature allows you to remove unwanted objects or elements from an image. To do this, just point your finger on the monitor. They disappear naturally without destroying the composition of the photo.
Advanced Intelligent Auto Mode (A+) and Scene Guide for Beginners
For budding photographers, there's a range of features and intelligent auto modes to help you take beautiful photos. These include: AF Tracking, Intelligent D-range Control, Intelligent Scene Selector, Face Detection and Intelligent ISO Sensitivity Control.
Intelligent Scene Selector currently offers a Food Recognition mode. He discovers food on a platter and grabs it to make it look perfect. iA Plus mode allows you to adjust the out-of-focus area in the background, compensate exposure and white balance for more flexible control.
Scene Guide offers 23 sample images taken by professional photographers. Users can choose the one that best suits the shooting situation so that the camera automatically adjusts to the optimal settings. In addition, technical advice and recommendations regarding the desired use of an interchangeable lens for a particular scene can be obtained.
Compact and easy-to-use design plus a variety of colors
The DMC-G6 system camera has a compact format, easy-to-use design and a useful built-in flash (GN 10 ISO160m / GN 8 ISO100m). It goes against the stereotype of conventional bulky, heavy DSLRs. This camera is planned to be supplied in black, white and silver colors, that is, in accordance with user preferences.
(module Yandex direct (9))
Key Features of Panasonic Lumix DMC-G6
| Camera type | mirrorless |
| Maximum sensor resolution | 4608 x 3456 |
| Other resolution | 4608 x 3456, 3264 x 2448, 2336 x 1752, 4608 x 3072, 3264 x 2176, 2336 x 1560, 4608 x 2592, 3264 x 1840, 1920 x 1080, 3456 x 3456, 2448 x 2448, 1744 x 1744, 1712 x 1712 |
| Image Aspect Ratio | 1:1, 4:3, 3:2, 16:9 |
| Number of effective megapixels | 16.1 MP |
| Matrix size | Four Thirds (17.3 x 13 mm) |
| Sensor type | CMOS |
| Color space | sRGB, Adobe RGB |
| Array of color filters | primary color filter |
| ISO | Auto, 160, 200, 400, 800, 1600, 3200, 6400, 12800, 25600 |
| White balance presets | 5 |
| Custom White Balance | There is |
| Uncompressed format | RAW |
| File Format |
|
| Autofocus |
|
| Digital zoom | yes (2x, 4x) |
| Manual focus | There is |
| Number of focus points | 23 |
| Screen | 3" Pan-tilt LCD Monitor |
| Screen resolution | 1,036,000 points |
| Touch screen | Yes |
| Screen type | TFT Color LCD with wide viewing angle |
| Live View | Yes |
| Viewfinder | electronic with 100% frame coverage |
| Viewfinder resolution | 1,440,000 points |
| Minimum shutter speed | 60 sec |
| Maximum shutter speed | 1/4000 sec |
| Exposure Modes |
|
| Story modes |
|
| Built-in flash | yes (pop-up) |
| Flash range | 10.5 m |
| Connecting an additional flash | possible (via hot shoe) |
| Flash modes | Auto, on, off, red-eye reduction, slow sync |
| Self-timer | yes (2 or 10 sec) |
| Metering Modes |
|
| Exposure compensation | ±5 (1/3EV steps) |
| Exposure bracketing | ±3 (3, 5, 7 frames in steps of 1/3 EV, 2/3 EV, 1 EV) |
| White balance bracketing | There is |
| Video format |
|
| Microphone | stereo |
| Speaker | mono |
| Video resolution | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720 (60, 50, 30, 25 fps), 640 x 480 (30, 25 fps) |
| Memory card compatibility | SD/SDHC/SDXC |
| USB | USB 2.0 (480 Mbps) |
| HDMI | yes (mini connector) |
| Wireless connection | built-in |
| Nutrition | Li-ion battery plus charger |
| Battery life (CIPA) | 340 shots per charge |
| weather seal | not provided |
| Weight | 390 g (including battery) |
| Dimensions | 122mm x 85mm x 71mm |
| Orientation sensor | not provided |
| GPS | No |