The DMC-G6 integrates 16.05-megapixel Digital Live MOS Sensor with Venus Engine that features advanced noise reduction systems. Noise is removed in multiple steps according to the noise characteristics, realizing both smoothness and sharpness according to the part of the image. In addition, the limit resolution is enhanced thanks to precise detail reproduction and advanced Intelligent D-Range Control that ensures beautiful gradation with a wider dynamic range.

Low Light AF

The Low Light AF in DMC-G6 gains higher
performance in such as moonlight even
without AF assist lamp to set focus on the
subject more precisely. Combined with the
Full-area Touch AF, it is possible to set
focus on any point in the field of view
which realizes intuitive focusing operation
with free frame composition.

· Depending on the picture-taking conditions,
this function may not work.

Light Speed ​​AF
and Burst Shooting

The DMC-G6 features high-speed Light Speed ​​AF, making it possible to capture even the fast-moving
subject clearly. Not only the accuracy but also the speed of AF in DMC-G6 surpasses the high-end
DSLRs with Phase difference. The camera and the lens exchange the digital signal at max. 240 fps to
minimize the time to focus. The DMC-G6 realizes the high speed burst shooting at 7 fps in
16.05-megapixel full resolution and max. 40 fps using an electronic shutter. Also, AF Tracking enables
consecutive shooting to capture moving subject in sharp focus at 5 fps*.

* In 1-area-focusing AF mode

The large, bright 1,440K-dot OLED (Organic Light-Emitting Diode) LVF (Live View Finder) with approx. 100% field of view in 4:3 aspect boasts excellent color reproduction and astonishingly high contrast at 10,000:1 for outstanding viewability. The display time lag is minimized dramatically compared with the predecessor DMC-G5. The image output between the LVF and the rear monitor is switched automatically with the eye sensor on the LVF, which features options of sensitivity - high, low and off - to reduce false operation during touching on the rear monitor.

1920 x 1080p Full-HD
Video Recording
in AVCHD and MP4

The DMC-G6 records stunningly smooth, high-resolution full-HD 1,920 x 1,080 60p* videos in AVCHD Progressive (MPEG-4 / H.264) format. The DMC-G6 also supports 1080 / 24p native mode with 24 Mbps in AVCHD format bringing impressive afterimage to the footage. The full-HD 1,920 x 1,080 60p* video can also be recorded in MP4 at 28 Mbps, to play it back directly on the PC or other portable electronic devices without a need of conversion.

*50p for PAL areas

The compartment for the battery and memory card is located on the bottom side of the handle, and the thread for mounting the camera on a tripod coincides with the axis of the lens.

Display, viewfinder

The design and size of the display remain unchanged. The three-inch TFT matrix with touch control has a rotating design. Setting the focus point is possible across the entire display, and this function is also available when using the viewfinder.

The built-in electronic viewfinder is based on organic light-emitting diodes (OLED), while its predecessor was equipped with a traditional LCD viewfinder. The new version is more economical and brighter, which is a definite plus, but the colors in it look slightly unnatural - this is inevitable in all cases of using matrices based on organic LEDs. It is worth noting that the viewfinder is equipped with a proximity sensor and a diopter adjustment wheel.

Functionality

As you already know, the sensor resolution remains the same - 16 megapixels. The available light sensitivity has increased by one step, reaching ISO 25600 (though in ISO Boost extended range mode). The lower limit of the range has not changed, which means you still won't be able to set ISO 100 - only 160 units, no less.

The main changes lie in the processor - Panasonic Lumix G6 received a new generation Venus Engine chip. The manufacturer offers an improved noise reduction system and promises higher picture quality. The second significant update is Low Light AF, which allows you to focus even faster and more accurately in low-light conditions. However, Panasonic mirrorless cameras have never had problems with focusing. She was and remains the best in the class. The frequency of burst shooting has also increased. The new camera is capable of taking bursts of 7 frames per second in full resolution, while the Lumix G5 produced 6 frames per second.

The updated processor also played a role in expanding video capabilities. In this regard, the Lumix G6 is approximately on par with the Lumix GH2, which is advanced even by today's standards. The camera is capable of recording video in Full HD resolution at 60, 30 and 24 full frames per second with stereo sound and output in AVCHD and MPEG-4 formats. In addition, it became possible to connect an external stereo microphone to the corresponding connector. However, there is still no headphone jack, and the built-in speaker does not allow you to fully evaluate the recording quality. By the way, during the official presentation we managed to make a couple of video recording examples - however, we should not draw far-reaching conclusions, the firmware on the G6 was still quite “raw”.

The LUMIX G6 is the next generation of digital mirrorless cameras with incredible portability for even higher-quality photos and videos.

April 24, 2013: Panasonic is proud to announce the release of the new DMC-G6 digital mirrorless camera, which allows you to create high-quality photos and videos. The digital Live MOS sensor provides high-resolution image recording at high sensitivity. The new Venus Engine processor has an advanced noise reduction system and is capable of high-performance signal processing. Combined with the sensor's high performance, it minimizes noise and even allows shooting at a maximum of ISO 25600 (expanded).

DMC-G6 boasts fast response and high continuous shooting speed up to 7 frames per second at full resolution. The camera is ready to shoot in just 0.5 seconds. after launch, that is, with it you will not miss the opportunity to capture fleeting scenes. Especially considering the high speed and accuracy of Light Speed ​​AF. The new AF illuminator ensures precise focusing on the subject, even in low-light conditions.

The DMC-G6 also offers high-quality Full HD video recording at 1920x1080, 60p (60Hz) / 50p (50Hz); AVCHD Progressive and MP4 format with stereo sound. Autofocus tracking is also available during video shooting. Cinematic 24 fps video recording at 24 Mbps bitrate produces exceptional images. During video shooting, exposure control is available in P / A / S / M modes.

WITH technology Wi-Fi and NFC (Near Field Communication) allow users to connect the camera to a smartphone or tablet anywhere with one touch. This makes transferring images as easy as possible. You can also use a compatible mobile device to release the shutter remotely. With the Instant Transfer function, photos are automatically sent to your smartphone/tablet immediately after shooting. On the other hand, both photos and videos can be archived on registered digital equipment such as a PC via wireless access points (router) at home.

The DMC-G6 is not only an interchangeable lens camera, but also an advanced digital photography instrument packed with attractive features to achieve even more attractive results within the camera. It includes Features: Creative Panorama, Time Lapse, Stop Motion Animation and Clear Retouch in addition to popular creative modes. There are a total of 19 exciting artistic effects. Stop Motion Animation allows you to produce unique stop-motion videos, and with Clear Retouch, you can remove unwanted parts of the image after shooting. Both operations are easily carried out in the chamber.

New, bright OLED (Organic Light-Emitting Diode) viewfinder LV (Live View Finder) with a resolution of 1440 thousand dots boasts excellent color reproduction and high contrast. The advanced large 3-inch tilt-and-tilt monitor with touch technology can fold inward.

It is known that the DMC-G6 camera will come in 3 stylish colors: black, white and silver. It offers you the ability to create high-quality photos and videos that are easy to share.

(module Yandex direct (7))

16.05MP Live MOS digital sensor and new Venus Engine image processor

The DMC-G6 combines a 16.05-megapixel sensor Live MOS, which boasts high resolution and high sensitivity image recording with minimal noise. Panasonic has updated existing technologies exclusively for the digital Live MOS sensor to minimize noise and maximize benefits. Photodiodes have a high aperture ratio, which results in high resolution and excellent signal-to-noise ratio.

Also recently developed CPU Venus Engine is designed to demonstrate its advanced noise reduction capabilities. Increased control over noise levels in specific areas, making it possible to remove large blocks of noise that were technically difficult to detect. This helps produce clear, smooth images, which is especially useful for night landscapes. In addition, Multi-process NR (Noise Reduction) works in two separate stages, allowing for even more careful control of noise. Regardless of the size of the noise, image texture is improved and results in the reproduction of smooth human skin even when recording at high sensitivity.

Every part of the image, from dark to bright, is accurately reproduced, with shadow suppression suppressed thanks to the advanced Intelligent D-range Control. Thus, the DMC-G6 offers a wider dynamic range.

The digital Live MOS sensor and Venus Engine work together to achieve ISO 3200 (Auto) and a maximum of ISO 25600 (expanded). Low Light AF in the DMC-G6 demonstrates better performance in shooting conditions such as moonlight even without an AF assist lamp to accurately focus on the subject.

Fast response speed with Advanced AF for fleeting photos

For all LUMIX G cameras, the manufacturer has provided contrast autofocus as a focusing system. Compared with phase difference AF, it is more accurate, especially when shooting with a bright lens at a small aperture (F).
The DMC-G6 features a high-speed Light Speed ​​AF system that allows you to capture even fast-moving subjects clearly. This system camera surpasses high-end DSLRs with phase detection autofocus not only in accuracy but also in speed.

The camera and lens exchange digital signals at a maximum speed of 240 frames per second to minimize focusing time. The DMC-G6 boasts a high continuous shooting speed of 7 fps at full 16.05 megapixel resolution and max. 40fps when using electronic shutter. In addition, autofocus tracking allows you to shoot sequentially and keep a moving subject in focus while shooting at 5 frames per second.

Thanks to Full-area Touch AF, you can set focus to any point in the field of view. That is, quickly and intuitively focus and compose the shot via the touch screen. In addition, the newly introduced Touch AE (Auto Exposure) feature allows you to adjust focus and exposure with one touch of the subject on the monitor. For additional control over focusing, the DMC-G6 includes Focus Peaking.

DMC-G6 includes high response speed. It is ready to shoot in about 0.5 seconds. after launch. The DMC-G6 has conveniently located controls. The function lever allows you to directly adjust the selected functions - zoom, exposure or aperture.
The camera's compatibility with high-speed UHS-I, SDXC / SDHC memory cards allows for faster data recording even when shooting in RAW file format.

Excellent video recording performance inherited from the flagship LUMIX G series

All LUMIX G cameras, especially the DMC-GH3, are renowned for their outstanding capabilities in high-quality video recording. The DMC-G6 records stunningly smooth, high-definition Full-HD video at 1920 x 1080 60p (60 Hz) / 50p (50 Hz) in AVCHD Progressive (MPEG-4 / H.264).
The camera also supports 1080/24p in native mode with 24Mbps in AVCHD format, resulting in brilliant afterimages. In addition, P/A/S/M modes allow you to enjoy expressive professional video recording.
Full-HD 1920 x 1080 60p (60 Hz) / 50p (50 Hz) video can be recorded in MP4 format at 28 Mbps for playback directly on a PC or other portable electronic devices without the need for file conversion.

In addition to continuous autofocus, touch autofocus is available during video shooting. You simply point at an object and the focus shifts to it. Tracking autofocus keeps your focus on even a moving subject.

High quality sound with Dolby Digital can be recorded. And to block out most of the noise from background wind, a wind noise reduction function is available. In addition to the built-in stereo microphone, the DMC-G6 is equipped with a 3.5mm jack for connecting an external microphone.
An optional Extra Tele Conversion feature extends the zoom range (max. 4.8x) without sacrificing image quality at lower resolutions.

Using Time Lapse Shot automatically starts taking photos at a specified time interval according to the number of shots you set. The Stop Motion Animation function stops the motion of an animation (freeze frame), allowing you to create a video with an effect that makes it seem as if the object is moving on its own.

Easy wireless connection to smartphones via Wi-Fi/NFC

The DMC-G6 camera combines Wi-Fi Connectivity (IEEE 802.11 B/G/N) with NFC (Near Field Communication) technology. This gives you more flexibility for instant image sharing and easy management. Flexible shooting, viewing and sharing of images is made possible with the DMC-G6 and the dedicated Panasonic Image App for IOS/Android smartphones/tablets.

Users can connect the camera to a smartphone/tablet by simply holding them together. The innovation is that the connection is very simple and is carried out within a few seconds, skipping the procedure of entering authorization information.

Remote photo and video shooting can be done using a smartphone/tablet to release the shutter remotely. In addition, zoom, focus, shutter speed, aperture and exposure compensation are also adjustable using a smartphone/tablet.

Instant data transfer function (Instant Transfer) allows the camera to automatically send files to a specified electronic device when the shutter is released. In playback mode, users can tap the image in the camera to transfer it directly to their smartphone/tablet on the spot. In addition, it is possible to add location information to the image using the GPS (Global Positioning System) log of the smartphone/tablet.

It became even easier archive Images. DMC-G6 transfers data to a computer or other compatible electronic devices automatically via a wireless access point (router) in the home. In addition, with Panasonic's exclusive Lumix CLUB cloud service, the DMC-GF6 can automatically sync images over the Internet, such as Facebook, Flickr, Picasa, Twitter and YouTube.
Wi-Fi Direct function allows you to playback images on DLNA (Digital Living Network Alliance)-compatible VIERA HD TVs.

New OLED viewfinder with 1440k dots

The large, bright OLED (Organic Light-Emitting Diode) LVF (Live View Finder) viewfinder has a resolution of 1440 thousand dots. It boasts 100% frame coverage in a 4:3 aspect ratio, excellent color reproduction and an amazingly high contrast ratio of 10,000:1. The display time delay is dramatically minimized compared to its predecessor DMC-G5. The image output between the LVF and the rear monitor is switched automatically thanks to the eye sensor on the LVF. Its sensitivity can be selected from high, low and off to reduce false alarms when touching the rear monitor.

3" rotatable touch monitor

The new large 3-inch 1036K-dot high-resolution monitor swivels 180° sideways and tilts 270° up/down for 100% field-of-view coverage. It effectively suppresses the reflection of external light. With a 13% increase in resolution, color reproduction is also improved by approximately 20%, so the DMC-G6 monitor offers greater visibility than ever before. In addition, engineers have achieved a wide viewing angle with this screen, and it now saves energy by 25%.

The free angle of the monitor and the touch screen allow for comfortable viewing in any physical position. The touch screen is useful not only for shooting, but also for playing back images with excellent visibility. The Touch Pad allows you to use both the viewfinder and screen simultaneously for greater control and more intuitive shooting.

Creative Control / Creative Panorama functions

The popular Creative Control mode has been modernized. Now the number of filters included in it has been increased from 14 (for DMC-G5) to 19 (for DMC-G6). New filters include: Old Days, Sunshine, Bleach Bypass, Toy Pop, Fantasy. The following have become familiar: expressive, retro, high key, sepia, high dynamism, soft focus, dynamic monochrome, impressive artistic, color spot, cross process, low key, toy effect, Star filter and miniature effect. The parameters for each effect are also adjusted.
With the new Creative Panorama function, you can take horizontal/vertical panoramic images and then combine them into one photo by overlaying the previous image.

Clear Retouch function

The Clear Retouch feature allows you to remove unwanted objects or elements from an image. To do this, just point your finger on the monitor. They disappear naturally without destroying the composition of the photo.

Advanced Intelligent Auto Mode (A+) and Scene Guide for Beginners

For budding photographers, there's a range of features and intelligent auto modes to help you take beautiful photos. These include: AF Tracking, Intelligent D-range Control, Intelligent Scene Selector, Face Detection and Intelligent ISO Sensitivity Control.

Intelligent Scene Selector currently offers a Food Recognition mode. He discovers food on a platter and grabs it to make it look perfect. iA Plus mode allows you to adjust the out-of-focus area in the background, compensate exposure and white balance for more flexible control.

Scene Guide offers 23 sample images taken by professional photographers. Users can choose the one that best suits the shooting situation so that the camera automatically adjusts to the optimal settings. In addition, technical advice and recommendations regarding the desired use of an interchangeable lens for a particular scene can be obtained.

Compact and easy-to-use design plus a variety of colors

The DMC-G6 system camera has a compact format, easy-to-use design and a useful built-in flash (GN 10 ISO160m / GN 8 ISO100m). It goes against the stereotype of conventional bulky, heavy DSLRs. This camera is planned to be supplied in black, white and silver colors, that is, in accordance with user preferences.

(module Yandex direct (9))

Key Features of Panasonic Lumix DMC-G6

Camera type	mirrorless
Maximum sensor resolution	4608 x 3456
Other resolution	4608 x 3456, 3264 x 2448, 2336 x 1752, 4608 x 3072, 3264 x 2176, 2336 x 1560, 4608 x 2592, 3264 x 1840, 1920 x 1080, 3456 x 3456, 2448 x 2448, 1744 x 1744, 1712 x 1712
Image Aspect Ratio	1:1, 4:3, 3:2, 16:9
Number of effective megapixels	16.1 MP
Matrix size	Four Thirds (17.3 x 13 mm)
Sensor type	CMOS
Color space	sRGB, Adobe RGB
Array of color filters	primary color filter
ISO	Auto, 160, 200, 400, 800, 1600, 3200, 6400, 12800, 25600
White balance presets	5
Custom White Balance	There is
Uncompressed format	RAW
File Format	RAW+Fine RAW+Standard JPEG Fine JPEG Standard MPO+Fine MPO+Standard
Autofocus	contrasting multi-zone tracking one point at a time continuous with face recognition Touch Left View
Digital zoom	yes (2x, 4x)
Manual focus	There is
Number of focus points	23
Screen	3" Pan-tilt LCD Monitor
Screen resolution	1,036,000 points
Touch screen	Yes
Screen type	TFT Color LCD with wide viewing angle
Live View	Yes
Viewfinder	electronic with 100% frame coverage
Viewfinder resolution	1,440,000 points
Minimum shutter speed	60 sec
Maximum shutter speed	1/4000 sec
Exposure Modes	program aperture priority shutter priority manual
Story Modes	clear portrait silky skin soft lighting calm tone clear backlight cute baby face clear picture bright blue sky romantic sunset blazing sunset glare on the water clear night view cold night sky warm glow artistic night landscape brilliant glow clear night portrait soft flower image delicious food cute dessert animal in motion sport monochrome
Built-in flash	yes (pop-up)
Flash range	10.5 m
Connecting an additional flash	possible (via hot shoe)
Flash modes	Auto, on, off, red-eye reduction, slow sync
Self-timer	yes (2 or 10 sec)
Metering Modes	multi-zone center-weighted spot
Exposure compensation	±5 (1/3EV steps)
Exposure bracketing	±3 (3, 5, 7 frames in steps of 1/3 EV, 2/3 EV, 1 EV)
White balance bracketing	There is
Video format	MPEG-4 AVCHD
Microphone	stereo
Speaker	mono
Video resolution	1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720 (60, 50, 30, 25 fps), 640 x 480 (30, 25 fps)
Memory card compatibility	SD/SDHC/SDXC
USB	USB 2.0 (480 Mbps)
HDMI	yes (mini connector)
Wireless connection	built-in
Nutrition	Li-ion battery plus charger
Battery life (CIPA)	340 shots per charge
weather seal	not provided
Weight	390 g (including battery)
Dimensions	122mm x 85mm x 71mm
Orientation sensor	not provided
GPS	No

Panasonic currently has four lines of digital cameras. The one designated by the G index and numbers is positioned as a solution for enthusiasts who are willing to spend a reasonable amount on their hobby and get a camera with a sufficient set of functions. The G series is the golden mean between the top-end GH and the simple and compact GX and GF.

The G series is the embodiment of the “digital classic” style. The case is black with a plastic finish and leather-like textured rubberized inserts. The build quality and materials correspond to the price category. Compared to the previous model, the design has become more “rounded”; metal-look elements have been replaced by black ones.

The device fits perfectly in the hand thanks to the protrusion on the front panel. Whether electronic components are located there or is this just a solution to improve ergonomic characteristics is unclear from the outside, at least the battery is located parallel to the body.

Without a lens (with battery and memory card), the camera weighs approximately 500 g, the 12-42 f/3.5-5.6 lens weighs another 100 g. However, due to its impressive dimensions, the weight is “concealed” and the camera seems lighter than it is In fact.

The layout of the controls has remained almost unchanged compared to the previous model. The flash raise button has moved to the rear panel from the top; another hardware button with assignable functionality has appeared; by default it turns on Wi-Fi. There are now five such hardware buttons, and there are two more active areas on the screen.

The electronic viewfinder uses an OLED module with 1.44 million image elements, which gives an image of 800x600 pixels. The optical design has a diopter corrector. A proximity sensor is used to automatically switch between the viewfinder and the screen; in manual mode, the selection is made using a hardware button located to the left of the viewfinder.

The display on the rear panel is rotatable, with two degrees of freedom - manufacturers who use other options simply create inconvenience for their potential customers, from minor to significant.

The three-inch screen is made using OLED technology and contains 1.04 million image elements. The aspect ratio is 3:2, which is a compromise: black bars on the sides appear in both photography and video.

On the front panel, under the plug, there is a jack for connecting an external stereo microphone; the recording level is set automatically or manually (19 values), through the menu.

Functionality

The menu in the Panasonic G6 is simple and logical. It is drawn without graphic frills, everything works quickly.

The abundance of hardware buttons allows you to quickly change shooting parameters; for those who are especially keen, there are two slots for storing sets of user settings; they are switched by the mode dial on the top panel of the case.

Although there are many members in the Micro 4/3 alliance, only two cameras are made by Panasonic and Olympus. The lenses are mechanically and electrically compatible, automatic focusing works, only the image stabilization systems differ. Since Panasonic uses in-lens and Olympus uses in-camera, this is definitely something to consider when choosing optics. There is no unity among “third-party” lens manufacturers either.

Focusing speed and confidence meet the requirements for equipment of this class. Panasonic G6 uses contrast method. A point can be selected by simply touching the screen. Depending on the settings, the exposure will also be set and the photo will be taken.

Manual focusing is convenient: you can zoom in on a fragment of the image through the menu; it can be moved if the camera is mounted on a tripod. At 10x magnification, even small details are visible.

The device is equipped with a function for highlighting contrasting areas - focusing confirmation for manual mode. The sensitivity is low: a truly contrasting border is required; The backlight color is white, and you cannot choose another one.

The Panasonic G6 has several high-speed shooting modes.

The maximum rate is 40 fps, but to enable it, you must first manually turn off RAW recording in another section of the menu. In this case, the image size is 2336x1752 pixels. Naturally, the focus is locked, and the first frame remains in the viewfinder or on the screen. During playback, the camera can show the sequence as a mini-movie.

At 7 fps, the size increases to standard and autofocus works. At 4 fps, Live View is activated and the camera continues focusing during shooting, if required.

The minimum shutter speed is 1/4000, but in video recording mode this figure can reach 1/6000.

Panasonic G6 records Full HD video at a frequency of up to 60 fps with progressive scan (the matrix provides information in this mode). The flow rate reaches 28 Mbit/s.

When shooting video, priority exposure metering modes work, which allows you to control the depth of field or the nature of motion transfer.

The Panasonic G6 is powered by a 7.2V lithium-ion battery with a capacity of 1200mAh. A full charge, according to the manufacturer, is enough for 350 frames. During camera testing, this figure was found to be generally true, at least for a manual zoom lens.

Image quality

The 18-megapixel sensor produces a good 16-megapixel image. Even the out-of-the-box lens (35mm camera equivalent 28-84, f/3.5-5.6) provides reasonable sharpness, and the Micro 4/3 system collectively offers perhaps the best selection of optics among mirrorless cameras.

In a test still life, which was illuminated by two incandescent lamps, both in automatic mode and with the appropriate preset, the Panasonic G6 conveyed a natural white balance - the viewer in the studio perceives it as warm.

JPEG from camera. More frames, JPEG and RAW, can be downloaded for self-study at this link.

Naturally, adjusting to a sample or entering a lower color temperature will allow you to achieve a neutrality that is not really there. This approach may not appeal to everyone, but Panasonic is just being honest.

When filming outdoors, there were also no complaints about color reproduction.

ISO 25600 is almost impossible to use: details disappear into noise even in RAW. 6400 is the maximum, above which you should not go, naturally, we are not talking about JPEG, there is a limit of 3200 in normal lighting. Shooting at dusk complicates the camera's task and, to avoid unnecessary artifacts, it is better to stop at ISO 1600.

Increasing your ISO is not the only way to keep your shutter speed fast or your aperture closed. RAW files allow you to extract a sufficient amount of useful information with deliberate underexposure. The Panasonic G6 allows -3 EV with a noticeable drop in dynamic range and loss of shadow detail. Minus two steps is a completely acceptable recipe, when the effect of such an approach is still noticeable and justified, and artifacts do not yet spoil the picture too much.

The camera doesn't like overexposure. One step does not cause problems, but two are already detrimental to color rendition. Yellow colors are the ones that suffer the most. Fortunately, the exposure metering system works accurately, so the only way this situation can occur is through photographer error.

For JPEG, the Panasonic G6 has two “enhancers”: Intelligent Resolution and Intelligent D-Range. They do not affect RAW files.

As the name suggests, Intelligent Resolution is supposed to intelligently increase the resolution of a photo. Tests show that when processing in-camera, the algorithms demonstrate a truly intelligent approach.

The fragments below (this is 100%) were filmed with Intelligent Resolution disabled (on the left) and set to maximum (to make the result more noticeable, four options differing in impact are available through the menu). Note the significant increase in sharpness at contrasting edges and the virtual absence of artifacts in the background.

The result of Intelligent D-Range is also noticeable, but the effect of expanding the dynamic range itself is not suitable for all scenes and is more of a “taste” than a technical one.

Panasonic G6 can do in-camera Time Lapse. No processing on a computer is required - the device creates a video from a sequence of frames. Through the menu, the interval and start time of shooting, as well as the number of frames, are set. There is no provision for changing the interval during operation, i.e. the acceleration of time will be linear. The device shows when the process is finished, but for beginners it is better to use calculator programs to calculate the optimal parameters.

Another interesting feature (albeit less popular) is the creation of frame-by-frame animation. Once again, the video is generated in the camera and filmed at a specified interval or manually. The previous frame remains translucent on the screen for precise positioning of animated objects.

WiFi

The ability to connect with other devices via a wireless network today does not surprise anyone. However, Panasonic has implemented wireless control of the device via Image App better than others.

The Panasonic G6 uses the IEEE 802.11b/g/n, 2.4 GHz standard, the device supports WPA/WPA2 algorithms and can create its own Wi-Fi network. The camera is also equipped with an NFC chip.

In addition to the ability to see what fits into the future frame and press the on-screen Shutter button, almost complete control of the parameters is available from a tablet or smartphone.

White balance, sensitivity, exposure compensation, timer and drive modes change, zoom works with motorized lenses, and remote manual focusing works with those that have this capability.

By touching the desired point in the image on the smartphone/tablet screen, focusing and measuring exposure parameters are performed. Depending on the application settings, the photo is taken immediately after focusing or only the camera is adjusted.

Through the menu, the frame size and format, aspect ratio, flash mode, video shooting parameters, in-camera JPEG processing style, etc. are set.

The picture sometimes slows down, so the developers still have some room for action. You can complain about the primitiveness of the application’s graphics, but in terms of functionality it is the leader as of the summer of 2013.

To download footage from the camera’s memory card to your tablet/smartphone, just go to another tab of the Image App. If full resolution is not required, you can select a medium or small size through the menu.

Although Panasonic has its own VIERA HDTV infrastructure for viewing local network content on large screens, the camera works with all DLNA-compatible devices.

Liked
+ Excellent design, convenient control.
+ Time Lapse and frame-by-frame animation in the camera.
+ System with the best choice of optics in the mirrorless segment.

Did not like
— ISO 3200 is the upper limit for JPEG.
— Entering exposure compensation when using lenses with a motorized zoom is inconvenient.

Verdict

There are improvements compared to the previous version, but they are minimal: one EV level in sensitivity, 7 fps instead of 6, more image elements on the display, etc. Even changing the module in the electronic viewfinder does not look revolutionary. G5 owners can rest easy.

It makes sense to switch to the Panasonic G6 either from very old cameras, or if the GX or GF series do not satisfy the functionality. Switching from Olympus makes sense if additional optics without an optical stabilizer were not purchased and the presence of an electronic viewfinder is a serious requirement for the camera.

The compartment for the battery and memory card is located on the bottom side of the handle, and the thread for mounting the camera on a tripod coincides with the axis of the lens.

Display, viewfinder

The design and size of the display remain unchanged. The three-inch TFT matrix with touch control has a rotating design. Setting the focus point is possible across the entire display, and this function is also available when using the viewfinder.

The built-in electronic viewfinder is based on organic light-emitting diodes (OLED), while its predecessor was equipped with a traditional LCD viewfinder. The new version is more economical and brighter, which is a definite plus, but the colors in it look slightly unnatural - this is inevitable in all cases of using matrices based on organic LEDs. It is worth noting that the viewfinder is equipped with a proximity sensor and a diopter adjustment wheel.

Functionality

As you already know, the sensor resolution remains the same - 16 megapixels. The available light sensitivity has increased by one step, reaching ISO 25600 (though in ISO Boost extended range mode). The lower limit of the range has not changed, which means you still won't be able to set ISO 100 - only 160 units, no less.

The main changes lie in the processor - Panasonic Lumix G6 received a new generation Venus Engine chip. The manufacturer offers an improved noise reduction system and promises higher picture quality. The second significant update is Low Light AF, which allows you to focus even faster and more accurately in low-light conditions. However, Panasonic mirrorless cameras have never had problems with focusing. She was and remains the best in the class. The frequency of burst shooting has also increased. The new camera is capable of taking bursts of 7 frames per second in full resolution, while the Lumix G5 produced 6 frames per second.

The updated processor also played a role in expanding video capabilities. In this regard, the Lumix G6 is approximately on par with the Lumix GH2, which is advanced even by today's standards. The camera is capable of recording video in Full HD resolution at 60, 30 and 24 full frames per second with stereo sound and output in AVCHD and MPEG-4 formats. In addition, it became possible to connect an external stereo microphone to the corresponding connector. However, there is still no headphone jack, and the built-in speaker does not allow you to fully evaluate the recording quality. By the way, during the official presentation we managed to make a couple of video recording examples - however, we should not draw far-reaching conclusions, the firmware on the G6 was still quite “raw”.